ryan hill

Ask a Demon - Halloween Edition by Ryan Hill

 

Can you hear it?

Angels blowing their horns?

No?

That's because it's HALLOWEEN!

The greatest day of the year, or any year. A day when demons can shed their human facade, revealing the true form hiding underneath, and walk around in our birthday suits. Nobody would bat an eye, freak out, or wet their pants. They'd say, "cool costume bruh," or give us first prize in costume contests.

Me? I look way too sexy to drop my human appearance. I don't feel the need to show the world my demon form and not be judged. I'm secure in my exquisite looks like that.

But I digress.

Halloween has shifted a bit over the years, going from the Irish holiday of Samhain, where humans greeted us with food and alcohol in exchange for letting some of their dead relatives hang out for a few hours. Eventually, the bribes stopped, and the holiday became the one day of the year where it was okay to get mad over receiving a pack of raisins over some candy. Scratch that. It's always acceptable to get mad over getting a pack of raisins. They're disgusting. Worst use of grapes ever.

On to the Halloween questions!

Cinnamon from West Virginia asks:

Why are some costumes called slutty? Most of them seem okay to me.

The companies that make Halloween costumes are morons. Aside from selling outfits named "Slutty Nurse," their business model makes zero sense. They only sell their product one month out of the year! Is that an organization that should be passing judgment on what's considered slutty? Methinks not.

Besides, dressing up as a nurse - especially when you aren't one - is pretty much the equivalent of wearing a nurse costume. The only difference between an official outfit and the "slutty" costume version is a couple of inches.

Have a question for me? Send it to ryan@ryanhillwrites.com.

Jake from Austin asks:

Is it okay to put razorblades in candy?

No. No, man. Don't mess with kids. Ever. The worst parts of Hell are reserved for people who mess with kids: right next to everyone who thought elevator music was a good idea.

Tim from Atlanta asks:

Bartholomew, is there any costume you wish more people wore on Halloween?

That's an easy one. Birthday suit.

Need advice from Bartholomew? Want to know what movie to see this weekend? Send your question to ryan@ryanhillwrites.com.

Blaze Pub's Haunted Halloween Tour with... Me! by Ryan Hill

 

October is the month of fears, and we're going on tour with some of our favorite authors to talk about what their main characters are afraid of. What keeps them up at night? What nightmare has them waking in a cold sweat? Each day, we'll feature a new main character and delve deep into their subconscious to see what they fear. And each day, you'll have a chance to enter to win some awesome prizes!

Bailey is the sixteen-year-old protagonist of the Paranormal Comedy THE CONCH SHELL OF DOOM by Ryan Hill. When Bailey isn’t fighting off sea monsters, he’s fighting off his friends’ snark, a healthy fear of rejection, and anxiety. But rejection isn't the only thing he's afraid of...

What am I most afraid of? by Bailey Southwick

What am I not afraid of is probably the better question. I’m afraid my friends will find out who I have a secret crush on- actually, let’s leave her name out of it. If they ever found out, I’d never hear the end of it. I know a lot of people say, “Oh, I’d never hear the end of it,” but I’m serious. Marshall and Tim would hound me until I moved to Allakaket, Alaska, population 107. Even then, I’d still get texts, emails, and even real mail from them with more jokes. To top it off, one of them – most likely Marshall – would make sure the crush knew I liked them in the most public and humiliating way possible.

Maybe Allakaket isn’t the worst idea.

I’m also afraid of goblin sharks, sand soldiers, and having some bad guy’s head put on my body. Definitely the last one. No, my body isn’t the most athletic, but I’m still growing into it? Also, it’s mine. I don’t want some gross head taking control, rendering me basically dead. No way. That’d stink.

Also, I’m afraid of my anxiety. It pops up at random moments and causes all kinds of problems. I do my best to manage it, but that can only get me so far sometimes. I wish it weren’t the case, but it’s the lens through which I view life. It makes me who I am, and it can make me my own worst enemy.

about the book

Bailey didn’t mean to catch his parents plotting to unleash the sinister Trenton Maroney and his powerful oceanic army on the world. It was an honest mistake. Now, he’s got the horribly disfigured Mr. Lovell on his trail, which is doing wonders for Bailey’s anxiety.

His only ally is Franklin, a burn-out several decades past wishing his brother Trenton was destroyed for good. Franklin has battled his brother for two thousand years, and has nothing to show for it except his beloved Mustang.

To stop Mr. Lovell from awakening Trenton, Franklin and Bailey will have to get past his parents, a one-eyed stoner, crooked cops, giant Scotsmen, and Trenton’s army, which can only be summoned by one thing: the mysterious Conch Shell of Doom.

Amazon

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Notes from a query reader by Ryan Hill

 

A couple of months ago, I started reading query letters/excerpts for a publishing house. The responsibilities are simple. If a submission is good, I recommend that the higher-ups take a closer look. If a submission stinks, I flush it down the toilet, just like that author's hopes and dreams. 

MUHAHAHAHAHAHAHA.

But I digress.

I'm not here to gloat. I'm here to help.

Query letters are a mixed bag. I don't care if you've had other stuff published. A publishing history in a query gives me hope that the excerpt will be solid, but it's no a guarantee. A query letter needs to sell the manuscript first, yourself second. It doesn't matter if you won third prize in a beauty contest. 

This is what I'm looking to be sold on:

  • Can you write? A poorly written query letter typically spells doom for the excerpt. Just sayin'. One usually begets the other. That query needs to be edited to within an inch of its life. Make it snappy. Give it a voice. A unique voice. I'll talk more about voice later, but you're selling your book. DO THAT TO THE BEST OF YOUR ABILITIES.
  • Is the story good? Some queries... ugh. Awful, terrible story ideas. Other ideas are solid, but the writing isn't there. The story needs to stand out. Is it a fantasy? Then give a fresh take on the genre. Not just a different world with a hard to pronounce name, a whole new perspective. LIke Deadpool. Heck, even if the story isn't right for the publisher, good is good. I'll pass it on and let the powers that be decide what to do next. 
  • Does the story have a strong voice? This is what can give a story that edge. Push it over the top. Like Samuel L. Jackson says in Pulp Fiction, "personality goes a long way." An editor can work around a strong voice. A so-so story can be tightened up if the voice is there. The argument could almost be made that voice is more important than the story. Anyone can write in a neutral style, but it's the voice that can really set a manuscript apart from the others.
  • SWEET! Good story, strong voice... but can the publisher sell it? This is like the boss level for query submissions. The final battle. A story can be intriguing, the voice is there, but a publisher may not know how to sell it, etc. This has happened to me a few times. It's the way she goes. The story has to be different enough to stand out, but familiar enough to be relatable to a mainstream audience. It's kind of a Catch-22. 

Most of the queries I pass on tend to have the same problems:

  • The author isn't there yet. Keep writing, learning, and improving. You'll get there if you put the work in.
  • The manuscript isn't there yet. Maybe the manuscript is sloppy and needs more editing. Maybe the writing is lackluster and missing a voice, i.e. the author isn't there yet. Regardless, and I can't stress this enough. FIND YOUR VOICE. Mine is sarcastic and silly, with a bit of anxiety thrown in here and there. Hemingway's was terse and soaked in booze. WHAT'S YOURS? Keep writing, learning, and improving until you find your voice. A lot will start falling into place once you discover your voice.
  • The story isn't appealing. It has a been there, done that feel. Probably best to chalk up this submission as experience gained and move on to the next one.
  • The story is appealing, but not what the publisher is looking for. Such is life. If the manuscript is good enough, it'll find a home. Or it can be self-published. 
  • Everything is there. Story, voice, marketability, all of it. The problem? The excerpt is drowning in exposition.

Besides poor writing, too much exposition is the biggest killer of queries. World building is difficult. I know. Basic rule of thumb: only reveal parts of your universe when it's absolutely necessary. If it isn't important, leave it out. More often than not, exposition kills all narrative momentum. In screenwriting, the first ten pages are by far the most important. If a script doesn't don't grab the reader by, that script is going in the trash. Same goes for book submissions. Want to hook a reader?

GIVE YOUR EXCERPT A JAMES BOND MOMENT.

Throw the reader into the middle of the action right away. It's okay to let the reader try to wrap their mind around what's happening. That's called ENGAGING THE READER. Think about Harry Potter. The series begins with Harry as a baby being dropped off at his aunt's house. All the reader knows is Harry's parents were murdered and magic was involved. That's. It. The reader doesn't need to know anything else at that point. J.K. Rowling was so smart with her world-building. She eased the reader into that world, spending TWO WHOLE BOOKS ON SIMPLY ESTABLISHING HOGWARTS AND THE CHARACTERS. It's only in the third entry, Prisoner of Azkaban, that Rowling opens up the world. 

Look, too much exposition at the beginning is something I've been guilty of myself. But think about it. Remember the Star Trek reboot? That opening was AMAZING. The audience didn't have a clue what was going on until it was necessary. The only real exposition (that it was George Kirk's ship, his wife was on board, pregnant with James) comes naturally in the course of action, not because the film stopped to tell the audience about these people.

Ever see The Matrix? The first half of that film is fantastic, featuring one of the best cinematic twists of all-time. What comes after? The exposition. EVERYTHING comes to a stand-still so Keanu can learn about this new world. 

When it comes to exposition, start small. Work your way out. Not every piece of the universe you've created needs to be established right away. Not all of it even needs to be revealed to the reader. If it doesn't advance the plot, it doesn't matter - especially when trying to hook a reader. Exposition, taken as a whole, slows the action down. 

When trying to impress a reader with a query submission, focus on the action. You've got a finite amount of story to impress someone like me. Don't waste it on exposition. Trust me. I WANT TO BE IMPRESSED. I WANT TO MAKE IT DIFFICULT FOR THE POWERS THAT BE TO CHOOSE WHICH MANUSCRIPT TO PUBLISH. I MAY HAVE AN EVIL CACKLE, BUT I AM ON YOUR SIDE.

One big item to remember: EVERYTHING IS SUBJECTIVE. One submission I recommended a pass on wound up receiving a publishing offer from the powers that be. Everybody's tastes are different. Just because I'm not in love with a submission, doesn't mean the next person will feel the same way.

Don't lose hope if you get a rejection or two. Keep at it, KEEP GETTING BETTER, and eventually the worm will turn. The sun will shine on a dog's ass. The broken clock will be right. All it takes is one yes. The only failures are those who give up. The rest are still working toward their dreams and goals.

Ask a Demon! by Ryan Hill

 

What makes someone an expert on advice? Experience? Education? Is a former heroin addict more qualified to help a drug addict seeking help than a doctor or psychiatrist? Does the addict's real-life experience make for a better perspective? How about a demon that's existed for thousands upon thousands of years? A demon that's seen and done most everything one could do within the realm of human existence. 

Bash a caveman over the head with a giant bone? Check.

Get crucified? More than once? Check and double check.

Destroy a fragile peace between two warring nations by deflowering a princess betrothed to a prince from another land? Check, check, and check.

In short, don't hate the player. Hate the game.

Have a question for me? Send it to ryan@ryanhillwrites.com with the subject line ASK A DEMON. Otherwise, the nitwit who owns the email address will answer your question. Trust me, you don't want that happening. He's a boob.

Joshua from Charlotte asks:

My boss is a real jerk. He makes us work Saturdays, but he never shows up. He's making our lives miserable. Any ideas on how to get him back?

Hmmmm yeah. Is your boss Bill Lundberg, by any chance? Do you need to go ahead and come in on Sunday, too?

Question. If your boss never shows up to work on Saturday, how will your boss know if you don't? If by some chance your boss can find out if you played hookie, hire a prostitute to seduce your boss, then make a sex tape. Not only will working on Saturdays be a thing of the past, but so will your salary... because methinks a raise is in order.

Jake from Miami asks:

What's Hell like? Are there multiple levels? Is it hot, or is that just an old wives tale? Speaking of old wives, what's the easiest way to dispose of a body? Asking for a friend.

I love Hell. Spent the past million or so years calling that place my home. Hell is also a lot like the Matrix. It can't be described, only seen. Dante got some stuff right in his Inferno, but I can't say what. You'll have to see for yourself!

As for the body, you can do what Walter White did in that one episode of Breaking Bad. If your stomach is too weak to handle melting a human body, find a pig farm. Those porkers will take care of the rest.

Need advice from Bartholomew? Want to know what movie to see this weekend? Send your question to ryan@ryanhillwrites.com.

 

THE CARVER'S Jacob Devlin Steps Into THE AUTHORDOME by Ryan Hill

 

Full disclosure: I've only read maybe 35 pages of Jacob Devlin's debut THE CARVER. Not because it's bad - on the contrary, I'm digging it. There are a lot of moving parts, and Jacob isn't rushing to have them converge, which I love. It's the sign of a good storyteller. 

No, I haven't read more because I've been knee deep in edits for THE BOOK OF BART - VERSE 2. It's amazing how sometimes it takes 30-45 minutes to come up with one throwaway joke that the reader may do little more than smirk at.

But I digress. It's time... FOR ANOTHER EDITION OF AUTHORDOME!

Two authors enter.

Two authors leave.

THE GIRL IN THE RED HOOD has been looking for her mother for six months, searching from the depths of New York’s subways to the heights of its skyscrapers . . . 

THE PRINCE looks like he’s from another time entirely, or maybe he’s just too good at his job at Ye Old Renaissance Faire . . . 

THE ACTRESS is lighting up Hollywood Boulevard with her spellbinding and strikingly convincing portrayal of a famous fairy. Her name may be big, but her secrets barely fit in one world . . . 

Fifteen-year-old Crescenzo never would have believed his father’s carvings were anything more than “stupid toys.” All he knows is a boring life in an ordinary Virginia suburb, from which his mother and his best friend have been missing for years. When his father disappears next, all Crescenzo has left is his goofy neighbor, Pietro, who believes he’s really Peter Pan and that Crescenzo is the son of Pinocchio. What’s more: Pietro insists that they can find their loved ones by looking to the strange collection of wooden figurines Crescenzo’s father left behind. 

With Pietro’s help, Crescenzo sets off on an adventure to unite the real life counterparts to his figurines. It’s enough of a shock that they’re actually real, but the night he meets the Girl in the Red Hood, dark truths burst from the past. Suddenly, Crescenzo is tangled in a nightmare where magic mirrors and evil queens rule, and where everyone he loves is running out of time.

Link to Goodreads:

https://www.goodreads.com/book/show/29918359-the-carver

Purchase Links:

BAM | Chapters | Indies | Amazon | B&N | Kobo TBD | iBooks

Can Jacob fictitiously survive THE AUTHORDOME? Let's find out...

THE CARVER is a road trip novel. What's your favorite road trip book/movie/etc.? THE CARVER is an acceptable answer. 

ZOMBIELAND is definitely an eternal fave. I think I’ll always be partial to those goofy movies about the Griswolds though, especially VEGAS VACATION. If THE CARVER becomes a movie one day, it is my secret wish that “Holiday Road” goes on the soundtrack :-P

Are there any classic characters you wanted to include in THE CARVER that you weren't able to? 

In the earliest draft before Blaze (Publishing - the pub that released THE CARVER) even saw the manuscript, Tarzan was part of the Order, but something didn’t feel right about that. I also wanted to bring out some familiar Oz names in bigger roles, which are in the public domain, but there was already so much going on in both THE CARVER and the world of Oz retellings. I imagine Dorothy and friends are probably running around in the background somewhere, but I’m going to leave that up to the reader’s imagination. 

Are you familiar with THE LEAGUE OF EXTRAORDINARY GENTLEMEN? That's supposedly a great Alan Moore graphic novel series, but it was such a crappy film it forced Sean Connery into retirement. Anyway. Are you familiar with the property? Do you see any parallels between it and THE CARVER? 

Hey, I saw that movie! But I liked the idea of the movie better than I liked the actual movie. I’ve always been a big fan of mashups, crossovers, and letting worlds collide, so I can definitely see the parallel.

You've recently taken up sword fighting, correct? How do you think Pinocchio would fare in a sword fight? I feel like his opponent would just chip away at him, piece by piece. 

Yessss! I’m officially a “white belt” in Haidong Gumdo, which isn’t an impressive accomplishment. But see, I actually feel like Pinocchio has the advantage. Because I’d be over there trying to block his sword, but he could just run around spewing lies and gain the advantage. Either his nose could skewer me, or I’d get so tired of infinitely hacking at it that I’d just, like, black out or something.

Speaking of swords, how heavy is the one you wield? Does having one make you wonder how people in the Middle Ages could fight with one while also wearing a suit of metal? Seems kind of crazy to me. 

Ha! It’s one of those long wooden practice bokkens, which is probably less than two pounds. Sometimes after spending 75 minutes flinging it around though, it hurts to lift a pencil, so I have crazy respect for anybody who can run around with a real sword while wearing armor and balancing on a horse!

Does your sword have a name? If not, it should. Even King Arthur's sword was named Excalibur. 

I was actually thinking about this on my way home today! I haven’t settled on one yet, but I’ve thought of a few options: Godric (Eh! Get it, because of Gryffindor?), Veturius (except I already named my car that, so…), or something totally unassuming like, maybe Larry. Because nobody would ever be afraid of a Larry, right? So its terrible power would catch my enemies way off guard.

Ryan note: Definitely go with Larry. Or Bob. Not even Google knows who Veturius was. GOOGLE!

Next up for you is a novella set in THE CARVER's universe. What else do you have coming up? Any other series planned? How many installments do you foresee for THE CARVER? 

If I can finish the story in three novels, that’s what I’m aiming for. The hope was always a trilogy because it would be a nice tribute to the central trio of Pinocchio, Alice, and Peter Pan, or for each of their kids. There will also be a number of novellas released in between to offer backstories on the other characters and worlds. It’s strange, exciting and a little sad to think about, but the series needs an endgame, and it’s only a matter of time before I finish the story of THE CARVER and need to branch out into new material. I have three fun ideas written down that I’ve been hanging onto for a while (little teaser: sea demons, aliens, or reality shows). We’ll see what calls to me first!

Do you have any other creative re-imaginings floating around in your head, like making ALICE IN WONDERLAND about some hippy in 1960s San Francisco that's always tripping on psychedelics, which is why it's called ALICE IN WONDERLAND? If you haven't, you can have that Alice idea. Free of charge. 

Dude, I would totally read that! Wonderland’s actually my focus for THE CARVER’s sequel and it’s been a blast to play around with such an iconic place. One of my three ideas from the last question may or may not have elements of THE BOY WHO CRIED WOLF if I ever get to it. Otherwise, I’d love to sink my teeth into an Inferno twist one day! But do I really wanna mess with Dante, though? Like, really really?

Ryan note: No. Stay away from Dante and his Inferno. That stuff falls into BOOK OF BART territory. I'd have to fight you. I've never swung a sword, so you've got me there. I'd have to pull a Bart and show up in a tux, rocking a Walther PPK. DO NOT DOUBT ME!

In haiku format, tell us why we should read/buy THE CARVER. 

Wait, that's five words, right?
Followed by five other words?
Forgot how these work.

Ummm...

Peter Pan grew up.
Why's Hansel acting so strange?
Let's take a road trip.

Thanks Jacob!

Thank YOU man!

THE AUTHORDOME with THE SURRENDERED Author Case Maynard! by Ryan Hill

 

Case Maynard spent 20 years working in the legal and medical fields before hanging it all up to pursue writing. With The Surrendered, Case's writing dreams have come to fruition. But that's not important here.

What is important is whether or not she can survive the grinder that is... the AUTHORDOME.

Two authors enter.

Two authors leave.

After a financial collapse devastates the United States, the new government imposes a tax on the nation’s most valuable resource—the children.

Surrendered at age ten—after her parents could no longer afford her exorbitant fees—Vee Delancourt has spent six hard years at the Mills, alongside her twin, Oliver. With just a year to freedom, they do what they can to stay off the Master’s radar. But when Vee discovers unspeakable things happening to the younger girls in service, she has no choice but to take a stand—a decision that lands her on the run and outside the fence for the first time since the System robbed her of her liberty.

Vee knows the Master will stop at nothing to prove he holds ultimate authority over the Surrendered. But when he makes a threat that goes beyond what even she considers possible, she accepts the aid of an unlikely group of allies. Problem is, with opposing factions gunning for the one thing that might save them all, Vee must find a way to turn oppression and desperation into hope and determination—or risk failing all the children and the brother she left behind.

Now available!

Amazon - iBooks - Barnes & Noble - Kobo - Signed Copies - Goodreads

 

 
 

Hey Case! Thank you for submitting yourself to the endurance challenge known as the AUTHORDOME. Based on your debut novel, THE SURRENDERED, this may be a similar experience for you. Do you think you're prepared?

As prepared as I’ll ever be, Ryan. An added bonus to all of the research I did for The Surrendered and what it would take to survive an end of the world scenario is that now I’m basically a professional survivalist. Hit me with your best shot.

In THE SURRENDERED, children are the nation's most valuable resource? Does it have anything to do with Lionel Richie believing that they are the future? If not, WHY?

Not really. And it has nothing to do with Whitney Houston believing they are the future either. In fact, Whitney begged that the children be taught well and encouraged to lead the way. Unfortunately, the children in The Surrendered are treated as slaves and taught only the skills that are useful to the System and to their local communities: woodworking, medicinal herbs, weaponry, sewing, etc. It’s a sad life. Perhaps these kids will get enough of it and realize they have “Nothing Left to Give” (and that actually is a Lionel Ritchie song).

Ryan note: medicinal herbs sounds like a good skill...

I haven't read THE SURRENDERED, but it seems the children are put into some kind of work camp. Are there not child labor laws in this future you've created? Can just anyone exploit this free labor? I have some chores around the house that need doing...

Actually, it’s the laws of this new future that have turned these children into slaves. The System, in an effort to recoup money that was lost in a financial collapse, has made all of the kids taxable commodities. Parents are forced to pay exorbitant fees for their offspring. And if they don’t pay? The children are surrendered to work in the local mines, mills, and farms to produce the items that the communities now rely on for survival. It’s possible you could strike a deal with the Master or the Overseer and see about getting some help around your house, especially if there is compensation involved. These new leaders will do most anything, as long as it benefits them.

Will THE SURRENDERED be a trilogy of terror? Quadrology? Septology? Some form of biology/zoology?

If I could figure out a way to make The Surrendered a zoology, I would (because that would be totally cool!). But for now, it’s just a trilogy. I’m currently working on the second book, tentatively titled The Underground. While The Surrendered is a tale set in the sleepy south, The Underground moves the characters further north to a steampunky underground world full of awesome new inventions. It’s sort of my version of the “Industrial Revolution.”

THE SURRENDERED, with its plot revolving around kids in peril, brings to mind THE HUNGER GAMES series. Can you tell us the ways in which your novel will make THE HUNGER GAMES bow and surrender (GET IT????? BECAUSE KATNISS USES A BOW AND YOUR BOOK IS CALLED THE SURRENDERED????????) to your far superior work of fiction.

I somehow doubt The Hunger Games will ever bow and surrender to any other work of fiction, even my far superior one. There are obvious similarities between The Hunger Games and The Surrendered: futuristic, totalitarian government-ruled worlds that use oppression to control the populations, however, there are many more differences than there are similarities. I do think that fans of The Hunger Games will find in The Surrendered some of the same elements that made them fans of Collins’ work, but I also believe they will find in it new and unique characters, plots, and an altogether different tone that will make it a favorite for them also.

Aside from the obvious (diapers, clothes, toys, food, alcohol - for the parents), why are children so expensive in THE SURRENDERED? Is it that you don't like kids? It's okay to say yes. This is a safe place.

The children are only expensive because of the new government rule. The Commander, who issued The Tax to begin with, cares only about lining his pockets with the fees received from the families. He’s altogether not a nice guy. Not even a little. And I adore children. At least the bigger ones who can basically fend for themselves.

I see you're a Florida State fan. Did you go to school there? I went to N.C. State. Ever since the '80s ended, the Wolfpack have for some reason been banned from having nice things. What's it like having nice things, like a Top 5 football team?

I was born and raised in Tallahassee, FL, but I didn’t go to school at Florida State. I lived in Atlanta briefly, and this is where I attended school, but I never stopped loving my Noles. Being a Seminole fan is the best; we have the most awesome fans in the world! And we’re top two. Just saying.

Ryan note: No, Florida State does not have the best fans in the world. Try losing for almost 30 years and still having a rabid fan base. Then talk to me about having the "best" fans. Ugh.

Ryan note No. 2: I think you mean Top 12. Bwahahahahaha. Losers.

My little sister went to Georgia for grad school, so they're my de facto SEC team. They're good, but it's not the same. Sigh... (this is where you give me sympathy)

Hmmm. I’d like to offer sympathy, but I’m gonna horse laugh you instead. Georgia barely got by Nicholls last week. ROFL.

This is a question I ask every author. Tell us why we should read/buy THE SURRENDERED. In haiku format and ONLY haiku format.

Wow, really? But The Surrendered already uses up four of my seventeen syllables. Ok, here goes…

Plots of yesterday

Make way for The Surrendered

It’s the bomb AF

Boo-yah J You’re a trip, Ryan. Have seriously enjoyed this. Thanks so much for taking the time to participate in my blog tour. And, dude, you said you haven’t read The Surrendered. What are you waiting for?

Ryan note: I'm waiting for time to slow down, so I can have more of it :)