Going on a trip over Spring Break – be it to Mexico, Florida or anywhere else – is guaranteed to end poorly. At least in movies. People are murdered to appease ancient gods (Cabin in the Woods), killer plants attack (The Ruins), and sometimes a corn-rowed James Franco shows up, saying, “Spring Break” over and over (Spring Breakers).
Basically, it’s best to stay home over Spring Break if you’re in a movie. If only the characters in Truth or Dare did the same. Or went on a Habitat for Humanity mission, which Olivia (Pretty Little Liars’ Lucy Hale) was planning on doing before her best friend Markie (Violett Beane) convinced her to go to Mexico instead for Spring Break. There, the meek Olivia meets a cute guy at the bar who convinces everyone to leave the bar in favor of making the long trek to an abandoned church to play… wait for it… Truth or Dare. And in Truth or Dare, once someone plays, they have to follow through with the truth or dare. Otherwise, they die in a some PG-13 way that’s not nearly as graphic as it should be.
The idea of making Truth or Dare a horror film is genius. It opens the door for all sorts of ingenious death scenes, the kind that would make the Final Destination series jealous. Instead, Truth or Dare is saddled with a PG-13 rating, so there goes any hope for wild, gory death scenes. Throw in some silly plot involving a demon and Truth or Dare becomes another low-level horror that’s more cash grab than inspired terror.
Truth or Dare is one of those horrors where the characters get picked off one at a time by some supernatural, all-powerful being. Those don’t work unless the characters are awful people, making the audience root for their demise. It’s one of the biggest lessons Cabin in the Woods taught us. Even Blumhouse’s Happy Death Day was smart enough to have its main character start out as a horrible human being.
It’s hard not to draw comparisons between Truth or Dare and Happy Death Day, since both are PG-13 horror flicks from Blumhouse. Death Day wrung every ounce of PG-13 fun from its Groundhog Day premise. Truth or Dare, on the other hand, does very little with its premise, even forcing the characters to pick dare after a while.
Written and directed by Jeff Wadlow, who made the bad Kick-Ass movie, Truth or Dare is lazy from the start. Before leaving for the Spring Break trip, Olivia and Markie talk about having fun “before life tears them apart,” which isn’t ominous. At all. The rest of the dialogue is so on-the-nose, that every dare (and truth) is visible from a mile away. And what fun is a game of Truth or Dare with predictable dares? My guess is probably as much fun as watching Truth or Dare, i.e. not much.