Black Panther's Wait was Worth It / by Ryan Hill

 
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It’s taken entirely too long for something like Black Panther, a superhero movie starring an African American, to see the light of day. In the period leading to that film’s release, Marvel has given us movies about a guy who communicates with ants (Ant-Man), two movies featuring a talking raccoon (Guardians of the Galaxy Vol. 1 and 2), Doctor Strange and three Thor films. Granted, those are all enjoyable – save Thor: The Dark World – but it shouldn’t have taken so long for Black Panther to become a reality.

The saving grace for the delay is that Marvel, and especially writer/director Ryan Coogler and co-writer Joe Robert Cole, did Black Panther right. It wasn’t rushed, like, oh, Justice League. The property was handled with care and precision, resulting in a film steeped in African culture, with fantastic, three-dimensional characters, gorgeous costumes and a wonderful theme. Even the villain, typically Marvel’s weak spot, has layers. It’s a film everyone should get behind.

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Taking place soon after the events in Captain America: Civil War (probably on the same point on the Marvel timeline with Spider-Man: Homecoming), Black Panther finds the newly crowned King of Wakanda, T’Challa (Chadwick Boseman), mourning the death of his father and the responsibility of becoming a new king in a changing world. Wakanda, home to the metal that created Captain America’s shield, is technologically far ahead of the rest of the world, but they’ve remained largely hidden, afraid of influence and corruption from outsiders. That fear leads one outsider, the twisted Erik Killmonger (Coogler mainstay Michael B. Jordan), to try and use Wakanda’s technology to make it a superpower.

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In a short period, Ryan Coogler has become one of the best directors out there. At 31, he’s already directed the devastating Fruitvale Station, his Rocky update Creed was a crowd-pleaser, even netting Sylvester Stallone an Oscar nomination, and with Black Panther he’s proven adept at handling blockbuster entertainment without letting special effects swallow up the important things, like character and story. Arguably the film’s only real weak spot, the plot hews a little too close to the average Marvel fare, but the focus on the characters more makes up for it. Black Panther is more than a big budget action spectacle. It’s a personal film that deals with real emotions and themes, which makes Black Panther resonate more than any other Marvel entry.

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Marvel’s Phase Three of its cinematic universe was always going to be interesting. Having already made three Iron Man movies, three Captain Americas and three Thors, the studio has not only exhausted some of their biggest properties, but their level of quality is established such that movies like Black Panther can be made. If Panther is any indication, the Marvel films may be moving in a direction more exciting and diverse than ever before.